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Ya Llego Remix

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Today marks a very big step for many of my homies here in the Los Angeles global bass (or whatever you’d prefer to call this sound) music scene. Early in my days here in LA, I found myself quickly gravitating towards Canyon Cody and the Subsuelo party that he helped start. That party became a home for me, and the people I met there became my friends & community. Subsuelo grew and became Calentura– an even bigger party/gathering/crew with new blood, expanded network reach, and finally, corporate sponsorship. Go ahead and scoff, but the truth is, even for those of us who live and breathe independent music, having a record label and/or liquor brand willing to fund what you do (without making too many concessions) is immensely helpful. It has allowed this vision to grow exponentially, and it’s showing no signs of stopping. So now Canyon has become the head of A&R at Fania records, essentially the Motown of Latin music. His first big project was to continue building the Calentura party by hiring bigger guest DJ’s, making more extravagant decorations, and incorporating this badass monthly fiesta into the record label. The second task was to begin commissioning remixes of the classic material from the Fania catalogue by today’s brightest producers who are continuing the spirit of this global party music that was once called “Salsa”. I feel honored to have been among the first people he asked to get involved. Today, the first compilation of this new generation of Fania music has launched. I have 2 songs on here, one of them brand new. And I’m also happy to say, I have an entire EP’s worth of material dropping shortly on Fania. For that you will have to stay tuned…

Here’s my remix of Willie Colon & Mon Rivera’s “Ya Llego”. Do yourself a favor and check out the entire release which premiered on SPIN today

  • Senor Griff

    Love your Mon Rivera remix on this collection. Looking forward to it becoming available. I’m not a huge fan of the ‘global bass’ sound. Sounds to me like ‘Human League does world music on a Casio VL tone’. Too many other remixes on this collection collapse into meaningless bleeping. It kind of takes the soul out of it. I love the fact that you keep the feel of the originals whilst making them totally nuts for the 21st century dancefloor. Love those trombones. Keep on doing what your doing.

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