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Land Of 1000 Remixes

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Erykah Badu : Honey (Capt. Planet Remix)
exclusive freshness

Red Astaire : Love To Angie (Remix of Angie Stone’s “Wish I Didn’t Miss You”)
taken from the album “Nuggets For The Needy” on Homegrown

The Doors : Break On Through (Bossarocker Remix)
taken from the whitelable 12″ available here

Gang Starr ft. Nice & Smooth : DWYCK (Little Kids Remix)
taken from the whitelable 12″ available here

Pretty much fell in love instantly with the new Erykah single (and accompanying video), so when I got my hands on the acapella, I went to work right away. It’s no secret that I have a serious talkbox fetish, and as you can hear, this has been manifesting itself overwhelmingly in my work lately. But who’s complaining? All vocoder and instrumentation by yours truly.

I’m also posting some of my crate staple whitelables that never fail to stir a crowd in motion. In the era of iPod DJs and Serato tricknology, I find that it’s just as much about how you present a song as it is about the actual song itself that you’re playing. Tasteful, creative remixes like these bring a whole new life to tracks that otherwise might be a little too played out or were never really dancer friendly to begin with.

Starting with my homie Red Astaire’s masterpiece (this has become one of my signature tunes that I’ve played perhaps every single gig since first copping it from him a year ago), Angie Stone gives a little something back to the B-Boys and B-Girls. My theory is, this track will 100% GUARANTEE that someone in the house will start uprocking- test it for yourself! Also, be a champ and pick up the whole album, which is jampacked with other remix hotness (funky Latin reworkings of hip hop classics, a bossa version of D’Angelo, and another 12″ favorite of mine “Tito”), and get your money’s worth on an album for once. Murphy posted the reggae remix to this one a while back, and while that one certainly has it’s appeal, this one’s better suited for the dancefloor methinks.

The Bossarocker Remix first cracked my head open when I was getting loose to one of Gilles Peterson’s notoriously glorious DJ sets at the packed and sweaty Canal Room here in NYC. By the time the second “is everybody in?” dropped, people all around me were buggin’ out. Been out for a while now, but this is another one of those 12″s that I just haven’t been able to take out of my crate (since I jacked it from young Murphy! haha – you can have it back now). Get a copy for yourself (with a funky B-side rework of “Fever”) right here.

Another bossa remix that easily works into the same set is this Little Kids version of DWYCK. Who are the Little Kids? I don’t know, but I’m waiting to hear something else from them. This one is a perfect mid-tempo bridge that can help you cross over from a hip hop set into some Latin or Brazilian- or just bounce while stuck in traffic. COP IT HERE.

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MURPHY’S LAW & O-DUB – BACK AT THE SHORT STOP

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Thursday, January 31
The Short Stop
1455 Sunset Blvd (Echo Park)
10pm – 2am: FREE

DJs O-Dub (Soul Sides) and Murphy’s Law (Captain’s Crates)
Spinning: Soul, Latin, Funk and more

Murphy’s Law from Captain’s Crates and O-Dub (Soul-Sides) are once again joining forces at the Short Stop in Echo Park. We just rocked the spot three weeks back and promise to knock it out the park again this Thursday.

Given our mutual interests, expect a lot of Latin this evening, but also a nice dose of soul, funk, disco, etc.

As with our last gig, anyone who shows up and signs our mailing list gets an edited copy of our sets for download later.

See you all there!

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Welcome to the World of Krontjong

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Keronchong Salina : Bubuj Bulan & Modjang Priangan< taken from the album “Vol. 2” on Philips (197?)

Maroeti and his Krontjong Boys : Onde-Onde (“Sweet Cake”)
taken from the album “Ballads In Batik Vol. 2” on RCA (1974)

Kontjong, Kronchong, Kroncong, Keronchong… as mysterious in spelling as it is in melody. Moody, brooding, beautiful. I have several cassette tapes of similar music that I picked up in Indonesia back in 2000, but digitizing those would require pulling out (and dusting off) a tape player, which seems a little daunting right now. What limited info I have about this style of sound comes from the back of these LP’s (and can we just take a nice moment of appreciation for the killer COVER ART here?). Apparently, these melodies:

“Originate from the early Portugese settlers in Indonesia and when the Portugese left and the Dutch settlers came, it was inherited by the Portugese/Dutch Eurasians from grand-grand fathers to grand-grand sons and so on.”

Here’s another informative link that I dug up about this Indonesian musical evolution.

Other than that, just let the tunes speak for themselves. “Bubuj Bulan” sounds like a ready-made RZA beat. Some serious Mulatu vibes around 1:40. I want more…

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Recent Radio Specials

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“Passport” broadcast from 12.17.07
with special guest Victor Axelrod aka TICKLAH

“Passport” broadcast from 01.07.08
with special guest Marcos Garcia aka Chico of CHICO MANN

“Passport” broadcast from 01.14.08
BEST of 2007! (all new releases)

“Passport” broadcast from 01.21.08
nothing special here, just good old Passport funkiness…

Playing catch up on the radio show podcast tip. I know some of you are still too lazy to click your way over to WNYU.org, so I’m doing the work for you. However, if you want to get the complete playlists, you’re gonna have to search through the playlists calender over there.

Been really lucky with the guests lately. Two members of Antibalas who have their own kickass projects that their working on these days. You should already be familiar with their music if you’re a regular reader here, but now you get a chance to glimpse inside their highly creative minds. Who woulda thunk, that two of the world’s heaviest Afrobeat players list “Off The Wall” and Lisa Lisa as some of their biggest musical influences?!?

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SLIP THE DRUMMER ONE

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Specks Williams: We Gave the Drummer Some
From 7″ (Jax, 196?)

Little Hooks w/ Ray Nato and the Kings: Give the Drummer Some More
From 7″ (United Artists, 1972)

Nothing too elaborate here – I picked up this Specks Williams 45 recently and automatically thought of the Little Hooks song; thought the two made sense to pair together. As it turns out, there’s an interesting coincidence b/t the two, insofar as Baltimore’s Little Hooks w/ Ray Nato and the Kings were first signed, back in the 1950s, to the Jax imprint, same label as Newark’s Specks Williams put his single out on. The Little Hooks song, however, came out on the Hollywood label, Enjay before getting picked up for wider distro by United Artists.

Of the two, I’m actually more partial to the Williams single, 1) it has the better drum break and 2) I like how it opens loud but then slides into a slick little guitar jazz number; not what you’d quite expect from it. “Give the Drummer Some More” wins for the better intro though, no question.

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DAPPED OUT

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Charles Bradley: The World (Is Going Up In Flames)
From 7″ (Dunham, 2007)

Anthony Hamilton : Do You Feel Me
From American Gangster Soundtrack (Def Jam, 2007)

Jay-Z: 99 Problems (Royal Edit)
From Armed Snobbery (2007)

Look…I know that it already seems like I’m on Daptone’s payroll or something but frankly they’re just in an amazingly productive period right now and alas, most of it is great so the more good sh– they put out, the more likely I will be to write about it. And look at it this way: this post is Crackhouse free!

The Charles Bradley is one of the new 45s on the Dunham subsidiary (you’ll recall that excellent Menahan Street Band single was another one) and this copy of the 45 was given to me at the Sharon Jones show in L.A. by the guy who wrote it. Maybe that biases my opinion but *whistle* this single is easily one the best things I’ve heard from the Daptone’s camp yet. Just a beautiful, powerful song and personally, I like Bradley better on his ballads than doing the uptempo funk swang.

A Soul Sides reader put me up on the Anthony Hamilton – the Dap-Kings are backing him here on this cut off the American Gangster soundtrack (the Jay-Z free version, dig me?). Definitely a Memphis vibe on this one, especially infusing the song with a Hi Records flavor. I like that slow thump and Sunday organ sermonizing. (It’s also a better tune than the more JB-esque Hamilton song off the soundtrack).

Ok – Jay-Z IS back on this last cut; it’s a remix by the “Prince of Ballard” who runs the Armed Snobbery blog. After hearing the 50 Cent meets Sharon Jones mash-up, he sent me a few tracks in a similar fashion. You can peep the whole spread of his “Royal Edits” here. Out of the batch, I dug this and the Eazy E the best but his “99 Problems” edit is the better produced between the two: he fits Jay’s verses with the Dap-Kings instrumental track impressively well. Peep how those horns drop in when Jay-Z asks for the “hit”.