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A Good Thing…

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Barbara Lynn: You’ll Lose A Good Thing and Heartbreaking Years
Taken from the album “You’ll Lose A Good Thing” on Jamie (1962)

I’ve been a little blue lately.

You know, sometimes I feel like I’m too young to get all full up with heavy-lidded melancholy like this. I mean, I’m twenty-two. Feels a little early for boo-hoo’ing, right? I should be drinking Dos Equis out of neon plastic party cups at a Senor Frogs just south of the border. I should be getting loopy over Fantasy league football. I should be lamenting–if anything–the bummer of how expensive auto insurance is for a young guy… Not going misty at the first dulcet croon of a break-up song.

But then, this is no ordinary break-up song. Sung by no ordinary soulstress.

Barbara Lynn wasn’t my age when she wrote (I repeat, she wrote) these songs. Nope. In 1962, 22 years-old probably seemed pretty ancient to little Miss Lynn. No Senor Frogs for her. Hell, probably no auto insurance. She was still in high school at the time. A sophmore, I would guess. Just s-i-x-t-e-e-n. Spell it.

And I here I am moping around like a sucker. An old sucker, at that! Query: where does a 16 year-old girl find the depth, not only to write a truly superb sad song, but to sing it so convincingly that a fifty year old man could go woozy just humming along. Query: Where does said girl get her southpaw guitar chops? Her diva’s poise? Where does she get her hair done? I don’t know, but she did it all, this one. And then she disappeared. Until now.

Un-freakin-believable.

Go here to find out more the elusive Barbara Lynn. As for me, I’ll manage.

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Recent Radio Shows

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“Passport” broadcast from 01.01.07 New Year’s Day Hangover Special!

“Passport” broadcast from 12.18.06 Egyptian Jazz, Turkish Breaks…

Every Monday, 8 -9 PM on WNYU 89.1FM
It’s never easy staying on top of this stuff. But better late than never.

Playlist for 01.01.07
Artist (location) — track title — album — (label):
1. Roy Brown (Puerto Rico) — “Mama Yoyo” — Profecia De Urayoan — (Disco Libre)
2. Unknown (China) — “Unknown” — Unknown
3. Jorge Ben (Brazil) — “Oba, La Vem Ela” — Forca Bruta — (Philips)
4. Ok-Oyot System (Kenya/USA) — “Ilando Gima Onge” — Extra Golden — (Thrill Jockey)
5. Orchestre Du Baobab (Senegal) — “Kelen Ati Len” — Kelen Ati Len 7″ — (Soundway)
6. Ricardo Ray & Bobby Cruz (Puerto Rico) — “Donde Esta Mi Negra?” — 1975 — (Vaya)
7. Mario Cavagnaro (Peru) — “Salchicha Con Huevo / Guaguanco Raro” — Cocktail De Exitos — (Sonoradio)
8. Ocho (NYC) — “Hotpants Road” — Tres — (Universal Sound)
9. Sir Victor Uwaifo & His Titibitis (Nigeria) — “Ewere Noyoyo” — Jackpot — (Makossa)
10. Pasteles Verdes (Peru) — “Angelitos Negros” — Recuerdos De Una Noche –(Gema)
11. Selda (Turkey) — “Gine Haber Gelmis” — Selda — (B-Music)

Playlist for 12.18.06
Artist (location) — track title — album — (label):
1. Marku Ribas (Brazil) — “Zamba Ben” — Marku — (Beverly)
2. Mustafa Ozkent (Turkey) — “Dolana” — Genclik Ile Elele — (Finders Keepers)
3. Adiss (Armenia) — “Pajanoum” — Adiss 78 — (Arka)
4. Salah Ragab & The Cairo Jazz Band (Egypt) — “Neveen” — Egyptian Jazz — (Art Yard)
5. Djamel Allam (Algeria) — “Samarkande” — Les Reves Du Vent — (L’Escagot)
6. Toubabou (Canada/W.Africa) — “Yama Nekh” — Le Ble Et Le Mil — (ProgQuebec)
7. Jesus Acosta & The Professionals (Belize) — “Theme From The Godfather” — The Professionals On Tour — (CES)
8. Soulful Dynamics (?) — “Gotomo” — Wildcats — (Decca)
9. Armando Hernandez (Colombia) — “Celos De Amor” — 14 Canonazos Bailables Vol. 21 — (Fuentes)
10. Pucho & His Latin Soul Brothers (NYC) — “San Juan 2000” — Yaina — (Right-On)
11. Eba Aka Jerome et le Sanwi Star (Ivory Coast) — “Viliemon” — Trahison — (Papa-Disco)

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JB: World Wide Waves

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Ocho : Hot Pants Road
taken from the album “Numero Tres” on UA Latino (1974)

Dave Barker & The Upsetters : Prisoner Of Love
taken from the album “Prisoner Of Love” on Trojan (1970)

Ravi Harris & The Prophets : Gimme Some More/Hot Pants Medley
taken from the album “Funky Sitar Man” on BBE (1997)

James Brown : Give It Up, Turn It Loose (Latin Reconstruction)
taken from a whitelable 12″

Just now emerging from the dizzying vortex of the past 2 weeks– it was family crashing on couches, going broke on presents, eating and drinking too much, partying like mad, and DJ-ing until 9am on New Year’s Day. It was also the death of JB. I’ve already seen a lot of great tributes and heartfelt write-ups about the Godfather. I also spent a good deal of time just watching all the electrifying vintage footage of Soul Brother #1 on youtube.com (this website keeps reminding me, perhaps more than any other single site, that we’ve entered a new era of media). And now, this late in the game, there’s little for me to add. Still, considering all the hours I spent as a young teen bumping James Brown’s music, how he inspired me to make music of my own, how digging his records pulled me into the world of DJing, and even provided the instrumentals for my first freestyles… I owe him RESPECT.

So does much of the world in one way or another. What I wanted to add to the recent outpouring of JB appreciation is a little glimpse at the global reach of his work. The covers and rip-offs are countless. Dudes were jacking his style in Ethiopia, and in Brazil too. So I put together a few tracks that I think demostrate some of the more interesting fusions and mutations of the JB signature sound. From Nuyorican Harlem, to Funky Kingston, all the way to India, JB made waves. I also threw in a recent and mysterious remix that has been a crate staple and continues to work magic on the dancefloor. Definitely the highlight of my DJ gigs this past week was looking out on a seething crowd (there were AFROs bouncing!) getting sweaty and loose with a newly kindled appreciation for hard, popping FUNK. Keep on dancing! Funk will never die!

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Recycled Sevens

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Sidney Owens & The North South Connection: Sputnik
Taken from the 7″ on Movin’ Up (197?)
Guitar Red: Hard Times
Taken from the 7″ on Mod-Art (1976)
Mitch Mitchell & Gene King: Never Walk Out On You
Taken from the 7″ on Prix (1973)

I’m not for a moment going to pretend like I own any of these records. So let me just stand right up and say it at the outset: I’m posing like I’ve got some serious heavy-hitter wax that is, in fact, only the digital byproduct of having enough time on my hands that I can idly surf the internet hunting around for this stuff.

Some of you may take issue with this–this plundering of others’ bounty. Some may argue that the recycling of already-posted material looted from another blog is a bogus practice. Distastful and crass. And, in general, I’d have to agree. But until some kind of Music Blogger Manifesto outlaws it, and considering that the recycled music in question was lifted from a now 8-month static site, and considering THE SHEER MAGNITUDE OF THE DEVASTATING-NESS OF THESE TUNES… I think exceptions can be made.

The site in question is HERE. The bad news is that the site hasn’t been updated for daaaays. The good news is that the entire archive of the blog is still available for download. (DON’T SLEEP!) And let me tell you, that’s no small thang.

Here’s the little I know: the Mitch Mitchell track was incorporated into the best mix of 2006; and that the Sputnik tune, which borders on un-fugg-witt-able, was written up (albeit rather abstractly) in this issue of Wax Poetics. As for ol’ Guitar Red: prehistoric moog rumblings + early drum machine programming= magic.

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Future Cuba?

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Ricardo Eddy Martinez : Te Quedas
taken from the album “Expreso Ritmico” on Egrem (197?)

Grupo Los Reyes 73 : Un Lamento Hecho Cancion
taken from the album “Nuevo Cuba 1” on Barclay (1976)

Pearly Queen : Quit Jivin’
taken from the compilation “Diggin’ The Crates for Afro-Cuban Funk” on Empire (2001)

Willy Chirino : Papote’s Theme (Edit)
taken from the album “Chirino 3” on Grand Artists (1976)

With Castro actually out of commission, the island of Cuba is looking at some major changes in the very near future. Perhaps our Caribbean tour will be making legal stops there next year (no more of this going through Mexico and Canada bull). Question is, what’s going to happen to Cuban culture? Seems like 50 years (almost) of rebellion and embargo has come to define how we think about the culture and country. Something tells me that when the option of buying a new Ford becomes available, a lot of those beautiful oldies will finally be put to rest. Will this little bastion of communism go global like China? Will they grow the next 8ft. man and use him to save dolphins?! Sorry, on to the music…

Despite the attempts to shut-off Cuba from the rest of the world, this bunch of dirty funk tracks bears proof that Cubans were indeed reaching out beyond the Island’s shores (and if you know anything about Cuban hip-hop, you know that they’re still reaching out). We all know and appreciate the beautiful mastery of Cuban Son & Guajira, but few have witnessed the devastating effect of mixing Bata drums into breakbeats. I recently found out about a certain upcoming compilation of Cuban funk, and now I’m fiending like a Bush on the hunt for oil.

Do I know anything about any of these groups? Sadly, no. Except maybe Willy Chirino, who was born in Cuba but couldn’t return after he left for education in his youth. Chirino 3 contains a pretty dope, conga-heavy cover of “Can’t Get Enough Of Your Love”. The edit that I performed on Papote’s Theme above is due to a 16-bar region of cheesy strings that no one wants to sit through- you won’t even notice it’s gone. The Expreso album was a recent score, and I highly reccomend hunting for it. There are multiple other bangers to be found amidst its grooves. Pearly Queen = raer. Diggin’ compilation = not so raer. Viva la FUNK!

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“Passport” 12.04.06 (sorry, I’m late)

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“Passport” broadcast from 12.04.06 every monday, 8-9PM on 89.1 FM WNYU

In the future I’m going to try to be posting these sooner after the fact. I been busy.

Playlist
Artist (location) — track title — album — (label):

1. Zuhura Swaleh (Zanzibar) — “Ya Zamani” — Zanzibara 2 — (Buda Musique)
2. Khun Kan Chwain (Burma) — “Naung Ywe” — Guitars Of The Golden Triangle: Folk And Pop Music Of Myanmar Vol. 2 — (Sublime Frequencies)
3. Hovanes Grigorian (Armenia) — “Por Eir Astvatz” — Erevan — (Parseghian)
4. Tim Maia (Brazil) — “Voce” — S/T — (Polydor)
5. Hugh Masekela (South Africa) — “Been Such A Long Time Gone” — I Am Not Afraid — (Blue Thumb)
6. Fairuz (Lebanon) — “Al Bosta” — Wahdon — (Zida)
7. Lord Shorty (Trinidad) — “Drum Spirits” — Endless Vibrations — (Shorty)
8. Sapo (USA) — “Ritmo Del Corazon” — S/T — (Bell)
9. Ricardo Eddy Martinez (Cuba) — “Tambo Iya” — Expreso Ritmico — (Egrem)
10. Selda (Turkey) — “Ince Ince” — Love , peace & poetry: Turkish psychedelic music — (Normal)
11. T.P. Orchestre Poly-Rythmo (Benin) — “Kokoriko” — The Kings Of Benin Urban Groove 72 – 80 — (Soundway)