Saint Wax Guest Mix
I was asked by Italian DJ / producer GLEDD (also record label boss) to make a mix for his label’s series. If you’re not familiar, do yourself a favor and check out the Saint Wax catalogue- lots of dancefloor gems and heaters! My mix is 70mins, leaning heavily into Afro, Disco, & House, with some Latin and a bit of other trippy Psychedelic sounds blended in as well. Also a couple unreleased edits of mine in here. Enjoy the trip!
fFmnetYekcZGVwno • June 27, 2026
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Haruto • September 1, 2026
The mix’s combination of Afro, disco, house, Latin, and trippy psychedelic elements sounds especially suited to a continuous 70-minute format. That range can make a guest mix feel like a journey rather than a simple track selection, while still keeping the dancefloor focus clear. It also gives listeners a practical entry point into the Saint Wax catalogue through a DJ’s interpretation of its sound.
Leo • September 2, 2026
A 70-minute arc gives Afro, disco, house, Latin, and psychedelic textures enough room to move without turning into a checklist. The balance you describe sounds especially suited to a label mix: it can introduce Saint Wax’s dancefloor focus while still leaving space for unexpected transitions. I’m curious how the trippier passages function in the overall pacing—whether they reset the energy or deepen the groove before the next lift.
Carlos • September 2, 2026
A 70-minute set gives the Afro, disco, house, Latin, and psychedelic elements enough room to develop rather than feeling like a rapid genre checklist. The mention of Saint Wax’s catalogue also makes the label context useful: listeners can trace the guest-mix format back to a broader dancefloor-focused selection philosophy. That framing helps explain why the blend of styles belongs together.
Theo • September 3, 2026
A 70-minute mix gives the sequence enough room to develop instead of treating genre changes as quick highlights. The combination of Afro, disco, house, Latin elements, and psychedelic touches sounds especially suited to a label series: it can show a selector’s range while still keeping a dancefloor focus. I’d be curious how you approached the transitions between the more percussive passages and the trippier material, since that pacing is often what makes a long-form mix feel cohesive.
Diego • September 5, 2026
A 70-minute blend built around Afro, disco, and house leaves room for the transitions to become part of the story rather than just links between tracks. The Latin and psychedelic elements sound like a useful way to introduce contrast without abandoning the dancefloor focus. The connection to Saint Wax’s catalog also gives listeners a clear path for exploring the label’s wider sound after the mix. It will be interesting to hear how the energy develops across the full runtime.
Owen • September 6, 2026
The stated blend of Afro, disco, house, Latin, and psychedelic elements suggests a mix designed around movement between textures rather than a single narrow genre lane. A 70-minute runtime also gives those transitions room to develop, especially when dancefloor-oriented tracks are balanced with more unexpected passages. The label-series context makes the selection feel like a focused introduction to the catalogue as well as a standalone listen. The sequence is likely the key detail here: it can turn a varied set of influences into a coherent journey.
Miles • September 6, 2026
A 70-minute mix gives the selector room to develop a real arc rather than just stacking peak-time tracks. The blend of Afro, disco, house, Latin, and psychedelic elements suggests that the transitions may be as important as the individual selections. That kind of range can make a mix feel cohesive when the pacing leaves space for each groove to establish itself before the next shift.
Mason • September 9, 2026
A 70-minute set gives the selector enough room to establish a real arc instead of treating each track as an isolated moment. The blend of Afro, disco, house, Latin elements, and psychedelic touches sounds especially suited to that longer format, where contrast can develop gradually. Calling out the label catalogue also provides helpful context for listeners deciding where to begin. The word eclectic seems fitting here.
Elliot • September 14, 2026
A 70-minute set gives the selector enough room to make the transitions between Afro, disco, house, Latin, and psychedelic textures feel intentional rather than rushed. The strongest approach is often to let rhythm establish the through-line first, then use the more unusual sounds as contrast points. That makes a guest mix easier to revisit while still leaving a distinct identity.
Arjun • September 20, 2026
A 70-minute set gives the selections room to develop instead of treating Afro, disco, house, Latin, and psychedelic touches as quick genre switches. The most useful thread here is the sequencing: a mix can keep a dancefloor-oriented pulse while letting percussion, bass, and atmosphere gradually change the mood. That approach makes the Saint Wax catalogue feel like a context for listening, rather than simply a list of tracks to sample individually.
Nathan • October 2, 2026
The mix’s focus on Afro, disco, and house makes the 70-minute format sound especially well suited to gradual movement between grooves rather than abrupt changes. The added Latin and psychedelic elements suggest a broader palette around that foundation. Calling attention to the Saint Wax catalogue is also useful context, since it places the guest mix within a label series built around dancefloor-oriented selections.
Adrian • October 2, 2026
A 70-minute set gives the selections room to develop rather than treating Afro, disco, house, Latin, and psychedelic elements as separate boxes. The blend of those styles sounds especially suited to a label series: it can introduce listeners to the Saint Wax catalogue while still presenting a coherent point of view from the guest. The sequencing is likely where that range becomes most compelling, because transitions can reveal connections between rhythms that individual tracks alone may not show.