I was asked by Italian DJ / producer GLEDD (also record label boss) to make a mix for his label’s series. If you’re not familiar, do yourself a favor and check out the Saint Wax catalogue- lots of dancefloor gems and heaters! My mix is 70mins, leaning heavily into Afro, Disco, & House, with some Latin and a bit of other trippy Psychedelic sounds blended in as well. Also a couple unreleased edits of mine in here. Enjoy the trip!
It’s been a long running tradition of mine to make a mix during the dog days of Summer. Something about these hot slow moving lazy weeks, mixed with the saudade of how fast it all passed by, make me feel really reflective & nostalgic. Hope these tunes help capture that mood for you too. 60mins of super eclectic global soul- Brazilian boogie, Balearic, Afrobeats, Afro House, Latin House, Disco and intercontinental vibes.
You can download the mix and get the full tracklist on the BrooklynRadio webpage
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Direct from Los Angeles, ground zero of the climate crisis inferno, I’ve emerged from the smoke and ashes to share another 60 minutes of soulful sounds and bass heavy beats, specifically selected to help you cope during these extremely trying times. Perpetually genre defiant, this mix travels from South American psychedelic beats to Arabic disco, to Afro funk and house, all the way to techno infused modern club tracks from the likes of Jamie XX, Four Tet & Skrillex. Don’t overthink it! Just press play and let yourself go…
Full tracklist and download available on the Brooklyn Radio page
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I met Ms. Christina Badkiss at a cool lil spot in Manila where, after just a few minutes of hearing her spin, I knew immediately that she was my type of DJ. Mixing seamlessly between funky breaks, soulful house, hip hop, broken beat & bass tunes, she clearly had a keen sense of what works on the dancefloor. It barely even surprised me when an impromptu B-Boy cypher broke out- headspins, windmills and all. To complete the picture, Ms. Badkiss would make sure to sneak out of the DJ booth at every available opportunity to bust some dance moves herself, which is something I can relate to 100%. Since then, we’ve stayed in touch over email, and she continues to hit me up with dope new tunes that I often end up sharing here on the blog. Getting her to record a guest mix was just the next logical step. On “Still Waters Run Deep” you can hear some of her soulful house selections- minimal, simple, and deep- which make a perfect soundtrack for chilling, or for uprocking, depending on your mood. Be sure and check out her soundcloud page for more mixes from her (in a range of different styles), and if you’re in the Philippines, check out one of her many events or parties. Thank me later!
Still Waters Run Deep Mixed by BadKiss
TRACKLIST
The White Lamp – It’s You (Ron Basejam Remix)
Atjazz – Dry Red Line
Falty DL – She Sleeps (2000Black Remix)
Ben Westbeach – Summer’s Loss
Jazzanova – That Night (Paskal & Urban Absolutes Dub)
Joy Orbison – Donell
Herbert – Leave me now
Martin Patino – Your Lips, Underwater (Original Mix)
Soul Parlor – Real feat. Colonel Red & Amalia (Opolopo Dub Fix)
Quintin Harris – Beautiful Black Women Come From Brooklyn (Zed Bias Remix)
Leon Vynehall – Don’t Know Why (Original Mix)
Al Bankolé – Feel
MNEK vs Disclosure – White Noise (Full Crate & FS Green Remix)
Christina Prommer – You belong to me
Reel People – Star (Rocco Underground Mix)
Souls Of Mischief – 93′ til Infinity (Hannes Fischer Remix)
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Carlos • September 2, 2026
A 70-minute set gives the Afro, disco, house, Latin, and psychedelic elements enough room to develop rather than feeling like a rapid genre checklist. The mention of Saint Wax’s catalogue also makes the label context useful: listeners can trace the guest-mix format back to a broader dancefloor-focused selection philosophy. That framing helps explain why the blend of styles belongs together.
Theo • September 3, 2026
A 70-minute mix gives the sequence enough room to develop instead of treating genre changes as quick highlights. The combination of Afro, disco, house, Latin elements, and psychedelic touches sounds especially suited to a label series: it can show a selector’s range while still keeping a dancefloor focus. I’d be curious how you approached the transitions between the more percussive passages and the trippier material, since that pacing is often what makes a long-form mix feel cohesive.