I was asked by Italian DJ / producer GLEDD (also record label boss) to make a mix for his label’s series. If you’re not familiar, do yourself a favor and check out the Saint Wax catalogue- lots of dancefloor gems and heaters! My mix is 70mins, leaning heavily into Afro, Disco, & House, with some Latin and a bit of other trippy Psychedelic sounds blended in as well. Also a couple unreleased edits of mine in here. Enjoy the trip!
It’s been a long running tradition of mine to make a mix during the dog days of Summer. Something about these hot slow moving lazy weeks, mixed with the saudade of how fast it all passed by, make me feel really reflective & nostalgic. Hope these tunes help capture that mood for you too. 60mins of super eclectic global soul- Brazilian boogie, Balearic, Afrobeats, Afro House, Latin House, Disco and intercontinental vibes.
You can download the mix and get the full tracklist on the BrooklynRadio webpage
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The idea of a late-summer mix built around reflection gives the track selection a purpose beyond genre tags. Afrohouse, disco, and house can all carry warmth and movement, while still leaving room for the slower, nostalgic feeling described here. A mix works particularly well for that transition because its sequencing can let the mood shift gradually instead of demanding one fixed emotional note. That sense of pacing is what can make a seasonal listen feel cohesive.
Direct from Los Angeles, ground zero of the climate crisis inferno, I’ve emerged from the smoke and ashes to share another 60 minutes of soulful sounds and bass heavy beats, specifically selected to help you cope during these extremely trying times. Perpetually genre defiant, this mix travels from South American psychedelic beats to Arabic disco, to Afro funk and house, all the way to techno infused modern club tracks from the likes of Jamie XX, Four Tet & Skrillex. Don’t overthink it! Just press play and let yourself go…
Full tracklist and download available on the Brooklyn Radio page
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I met Ms. Christina Badkiss at a cool lil spot in Manila where, after just a few minutes of hearing her spin, I knew immediately that she was my type of DJ. Mixing seamlessly between funky breaks, soulful house, hip hop, broken beat & bass tunes, she clearly had a keen sense of what works on the dancefloor. It barely even surprised me when an impromptu B-Boy cypher broke out- headspins, windmills and all. To complete the picture, Ms. Badkiss would make sure to sneak out of the DJ booth at every available opportunity to bust some dance moves herself, which is something I can relate to 100%. Since then, we’ve stayed in touch over email, and she continues to hit me up with dope new tunes that I often end up sharing here on the blog. Getting her to record a guest mix was just the next logical step. On “Still Waters Run Deep” you can hear some of her soulful house selections- minimal, simple, and deep- which make a perfect soundtrack for chilling, or for uprocking, depending on your mood. Be sure and check out her soundcloud page for more mixes from her (in a range of different styles), and if you’re in the Philippines, check out one of her many events or parties. Thank me later!
Still Waters Run Deep Mixed by BadKiss
TRACKLIST
The White Lamp – It’s You (Ron Basejam Remix)
Atjazz – Dry Red Line
Falty DL – She Sleeps (2000Black Remix)
Ben Westbeach – Summer’s Loss
Jazzanova – That Night (Paskal & Urban Absolutes Dub)
Joy Orbison – Donell
Herbert – Leave me now
Martin Patino – Your Lips, Underwater (Original Mix)
Soul Parlor – Real feat. Colonel Red & Amalia (Opolopo Dub Fix)
Quintin Harris – Beautiful Black Women Come From Brooklyn (Zed Bias Remix)
Leon Vynehall – Don’t Know Why (Original Mix)
Al Bankolé – Feel
MNEK vs Disclosure – White Noise (Full Crate & FS Green Remix)
Christina Prommer – You belong to me
Reel People – Star (Rocco Underground Mix)
Souls Of Mischief – 93′ til Infinity (Hannes Fischer Remix)
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Elliot • September 14, 2026
A 70-minute set gives the selector enough room to make the transitions between Afro, disco, house, Latin, and psychedelic textures feel intentional rather than rushed. The strongest approach is often to let rhythm establish the through-line first, then use the more unusual sounds as contrast points. That makes a guest mix easier to revisit while still leaving a distinct identity.
Arjun • September 20, 2026
A 70-minute set gives the selections room to develop instead of treating Afro, disco, house, Latin, and psychedelic touches as quick genre switches. The most useful thread here is the sequencing: a mix can keep a dancefloor-oriented pulse while letting percussion, bass, and atmosphere gradually change the mood. That approach makes the Saint Wax catalogue feel like a context for listening, rather than simply a list of tracks to sample individually.