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Captain Planet

Charlie Wilder aka Captain Planet is a DJ / Producer / Artist / Professional nice guy.

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Shine Through The Grapevine

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So the homie Ballantino hit me up and let me know that my track Speakin Nuyorican was the MP3 of the day over at RCRDLBL.COM (one of the cooler, and most groundbreaking blogs out there in my opinion). I knew the song was going to be on the BKLYN compilation (alongside some of my FAVORITE funky artists) put together by my other good friend DJ DRM, but I don’t have a copy and didn’t even know it was released yet! This is the second time this year that I’ve discovered one of my unreleased tracks inadvertently on a compilation- O-Dub at Soul-Sides.com put me on to this Japanese comp that features a rough draft of my song “Fumando”. Both of these tunes will be on my upcoming (and still unfinished) EP on Bastard Jazz, with a remix from Sweden’s own Freddie Crugar/Red Astaire. Coming soon, I SWEAR!!!!

Also, heard through another homie that The Beatards “Big Bad Beat EP” is finally up on the iTunes store, so if you still have been sleeping, or are just opposed to having physical CDs in your life anymore, then cop yer copy now from Apple.

And yeah, The Slits are the SHIT.  Continue reading…

  • Camilo Payan

    I have to say, that version of I Heard It Through the Grapveine is badass. I’ll have to look up The Slits more.

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Holy Land Heat Part 2

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Churchill’s : Open Up Our Eyes, Debka, 
Sunshine Man, & Subsequent Final 
taken from their self-titled album on Hed-Arzi (1968)

Matti Caspi & The Group : Let’s Go Back & Felicidade 
taken from the album Pais Tropical on CBS (1977)

The Platina : Kishoof & 11;13
taken from the album Freedom on Israel (1976)

The Platina : D.J. Dori 
taken from the album Live At The “Bar Barim” on Israel (1973)

Here’s a few more things I discovered in Israel. From these crazy hard psych-out nuggets by the Churchill’s (supposedly one of the most in demand psych records), to the impeccably well borrowed Brazilian swag (sung in HEBREW no less!) of Matti Caspi & crew, to the heavy alternate time signature funky fusion jazz of The Platina– Israeli has heat. Back in the frigid NYC environs where it’s dificult to motivate myself to step outside without whiskey running through my veins, I’m in dire need of this warmth. 

Be forewarned as well- Murphy’s Law and I accrued an insane stack of mind melting Turkish pysch and funk records at the end of our trip while wylin’ in ole Istanbul.  Expect a new FUNK BROS mix soon, and a post with some particularly audacious tunes from the bunch. 

  • ixley

    That drum solo from the Bar Barim track is frickin nice.

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Holy Land Heat Part 1

shrinerdance


Apocalypse :  Under The Eucalyptus Tree & No Place For Two On The Pole
taken from their self-titled album on NMC (1972)

Shlomo Gronich & Mathi Caspi : Kvinta & Opening & Elohim Merachem
taken from the album Behind The Sounds on Hed-Arzi (1972) 

Soulico & Axum : Pitom Banu (Wido Remix)

Sabbo (Soulico Crew member) :  Booty Bounce


Your loyal captain here, aka Chuck Wild, with the first check-in from Zion (I’m hoping there will be more, but it’s always a lil hard on the road). Young Murphy’s Law and I came here together in a brotherly burst of Jewish frugality- taking advantage of the most secular of Birthright trips- at the begining of the new year (still hung over, the both of us). 

Despite rockets flying and bombs dropping (on the UN building!?!), we’re managing to explore the mellow maintained by Israelis even in the eye of the storm. We’re meeting genuinely great people in throngs and even finding some new music. I posted a few jew grooves back in Captain’s Crate (see: Soul Messengers, The Platina and Mordechai Ben David) but it’s been a while, and now I’m actually walking on their turf for the first time. 

I was told that Apocalypse is kinda like the Israeli Led Zeppelin, and while they can’t really hold a torch to Page & Plant, we’ve been bumping this while cruising through the desert in our rented Fiat. On the quieter, more introspective side, I picked up this cool “experimental” record by two of Israel’s bigger musical names, Shlomo & Mathi. I like the cover they do of “Rocky Raccoon” on here as well. 

Also, big up to Ido Wido (who I met in Tel Aviv) and the whole Soulico Crew! They’re a sick DJ/music making/party rocking collective who produce fly remixes and have a new album coming out on JDUB records soon… 

If you’re looking for more of those old school 70’s rare Middle Eastern cuts, peep the that Soulico did a while back for the Mad Decent blog. 

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TOP TEN (kinda)

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“Passport” radio broadcast from 12/29/08special BEST OF 2008 edition
Passport airs every Monday night on 89.1 FM WNYU

This is really not a top ten, and it doesn’t even cover half of my favorite albums of the year, but it does cover just about every one of my favorite records that got play on Passport this past year. Looking over the blog it’s easy to tell that my tastes are much more varied than what’s presented on the show – I would not, for example drop Kanye or even Mayer Hawthorne (since the station is all about focused programming). And the truth is, after 6 years of hosting and DJ-ing my Monday night program, I feel I’m coming much closer to saying goodbye to the show, especially now that I have a co-host I’ve been working with who’s going to keep it alive after I move on. However, since this year has been a good one on the program- starting off back in January with guest appearances from both Chico Mann and Ticklah– I wanted my BEST OF 2008 to highlight all the freaky, funky, global gems that I get to exercise out of my system each and every Monday. I say exersice, because I’m really not able to play too many of these cuts when I DJ out and about- your average club-goer is still not ready for the psychedelic Cumbias that I fiend. So here’s the playlist from last night’s show- I’ve thrown some honorable mentions at the bottom that didn’t make it into the show due to time restraints…

Artist – “Song Title” – Album Name – (Record Label)

Brownout “Barretta” Homenaje (Freestyle)
Karl Hector and The Malcouns “Toure Samar” Sahara Swing (Now Again)
Gabo Brown & Orchestre Poly-Rythmo “It’s A Vanity” African Scream Contest (Analog Africa)
Curumin “Compacto” JapanPopShow (Adrenaline)
Chicha Libre “Sonido Amazonico” Sonido Amazonico (Barbes)
Sonora Casino “Astronautas A Mercurio” Obsession (Bully)
Bio Ritmo “Bionic Boogaloo” Bionico (Locutor)
Grupo Fantasma “Se Te Mira” Sonidos Gold (Aire Sol)
Bronx River Parkway “Agua Con Sal” San Sebastian 152 (Truth & Soul)
Keziah Jones “Pimpin'” Nigerian Wood (Warner Bros)
Jackson Conti “Sao Paulo Nights” Sujinho (Mochilla)
Chico Mann “Dilo Como Yo” Analogue Drift (Unreleased)

honorable mentions:

V/A – The entire NIGERIA SPECIAL series on Soundway
V/A – Calypsoul
V/A – Bachata Roja
V/A – The Roots Of Chicha
Tito Puente – The Complete 78’s
Joe Bataan – Under The Streetlamps
Seun Kuti – Seun Kuti + Egypt 80
Femi Kuti – Day By Day

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RIP Adam Nation-Ames

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The Grateful Dead : Brokedown Palace
taken from the album American Beauty on Warner Bros. (1970)

Charles Wilder : Big Heart (rough draft, don’t hate!)
a song for my bro.

Been a crazy week. I heard the moon is abnormally close to Earth right now, perhaps that’s a part of it. Less than a day after spending my first ever night in jail (story for another day), I heard the shocking news that one of my oldest and best friends (a true brother to me) had died in a car accident.

Adam and I learned how to skateboard together, learned how to get into trouble together, made our first cross-country road trip together when I had just gotten my license… So many of my most memorable experiences were with him. When I was 12 and he was 13, we were in a show together where we shared the part of the Donkey. One of us as the head, the other as the butt (which meant bending down holding onto the other dude’s waist for an ungodly period of time), and we’d switch off positions. This was all in the pursuit of chasing cute girls mind you. And we even got our first girlfriends together- the scheme worked! I remember sharing a couch watching some c-grade horror film and making out with our respective adolescent girls side-by-side, taking cues out of the corners of my eyes so I’d know when to proceed to the next step- GLORIOUS 2ND BASE!

I could go on for way too long about how much of who I am was shaped by him, but since none of you knew him, I won’t. In addition to being a serious lover of hip hop, dude was a Deadhead, as are many good people up here in the New England woods where I’m originally from. This particular Dead song was sung by a long haired hippie on guitar, who was accompanied by another on Djembe, at the beautiful service I attended this morning in his honor. I love you bro and you’ll be with me for all the rest of my days on this Earth.

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Makonde Swahili Disco Funk

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Makonde : Soseme Makonde & Manzara
taken from the 12″ single on EMI (1977)

Haven’t been bringing out too many rares lately, but not because I’ve had any real trouble stumbling upon them. Even with my wallet as empty as it has been these past couple months, I’ve still managed to pull some pretty crazy finds. I’ve been pushing myself to stay out of record stores as much as possible, but when I pass someone standing on the sidewalk in the cold behind a underappreciated crate- I feel almost an obligation to pull out enough money to get them a cup of soup and a hot coffee (even if it ends up going towards a lil fire water in the end).

That brings us to this latest discovery of Swahili disco funk from ’77. The cover was beat to hell which is probably why other people overlooked it, but the record (brilliant BLUE VINYL with a LEOPARD PRINT LABEL!) was kept in another sleeve and remained in great condition. Dropping the needle on side A was like opening the gate to King Kong’s beastly lair. Deranged warbling mumbles and pounding drums are soon met with a pulsing bass, a simple chant, and then what sounds like a drunken Moog synth doing the running man. This is exactly the type of track that first inspired me to start this blog.

The B side, perhaps equally as incendiary, sounds almost like the Kenyan version of The Commodores “Machine Gun”, but with fatter drum breaks. Turns out Kon & Amir unearthed this monster before me and even featured it on their recent Kings Of Digging CD for the BBE label- makes me feel pretty lucky about turning this one up. They did a nice little edit on their CD which extended the drum breaks, but I figured I’d give you both tracks unedited so you’ll have to practice your Serato juggling skills if you want to keep the break rolling.